Saturday, September 29, 2012

Orlando: The Man, The Woman

File:Portadaorlando.jpg
Original cover
User: El-luismi
Source: Wikimedia Commons

Orlando is a novel by Virginia Woolf that takes the idea of being a man and woman in one lifetime (or several lifetimes) and puts it to good use. The title character, Orlando, is a nobleman living in England during the Elizabethan period. He is content with his life except for the loneliness, having been engaged, married, or assumed to be engaged to four women in his lifetime. When he meets a Russian princess, he thinks that life has finally rewarded him with his one true love. Unfortunately, the princess does not reciprocate and leaves Orlando. Distraught, Orlando turns to his other passion: writing. He takes writing seriously, writing plays, poems, and stories, all odiously long. Away in his country manor he writes and writes, until he is visited by a famous writer Nicolas Green. Green reads Orlando's work and writes up a poem to satire it, thus making Orlando hate humans and turn even more inward while at his country estate.
Later on, Orlando visits other European countries, encountering gypsies as he does so. One night, he has a strange dream, and as a by-product, becomes a woman. There is no shocking reveal or loathing from Orlando at having turned into a woman, only acceptance. With his/her new worldview, Orlando comes to see how different her life will be as a woman. Her return to London is a lesson in women's rights, because she realizes that she can no longer own her land, manage her finances, or vote. Small things come to Orlando's attention now that she is a woman, like the fact that men cannot cry in front of an audience. A man falls in love with her, and when she refuses him, the man begins to cry, and though Orlando knows from experience that men cry just as women do, that they are not supposed to openly weep, and so she is shocked at the emotion display of her thwarted lover.
File:Orlandoasaboy.jpg
"Orlando as a boy"
paiting by Cornelious Nuie
(1650)
User: El-luismi
Source: Wikimedia Commons
Orlando life spans many generations. He/she goes into deeps slumbers every few years, almost like a bear hibernating, and this (or some other type of magic) prolongs Orlando's life from the 1500's, taking the story all the way to the 1920's.
As a man, Orlando never questioned his privilege or sexuality (believing himself to be inherently heterosexual and powerful). Yet, as a woman, Orlando's eyes open up to see that the world is often one-sided in its treatment of women. Orlando the man fought in wars and dueled men to the death, but he/she is aghast when a gentleman treats her like a dainty flower, as she feels much more capable than she is given credit for, not just as a woman, but as an equal division of humanity.

Woolf, Virginia. Orlando: A Biography. New York: Harcourt Brace & Company, 1956. Print. 

Wednesday, September 12, 2012

"The end of masculinity would also mean the end of femininity", and other thoughts from Marlene Barr

Source: Google Images

All female societies, pregnant nursing males, and the end of masculinity are only a few of the topics discussed by Marlene Barr in her book Lost in Space: Probing Feminist Science Fiction and Beyond. Through a series of essays, Barr comments on the equality (or disproportions) between men and women, using feminine sf stories as a basis of comparison. Authors like LeGuin, Russ, and Gilman are quoted by Barr, though she is fair in her feminist sf study by including male authors (an unwanted but undeniable presence in feminist sf).

In the introduction to her SF analysis, Barr shares the story of her academic rise. By choosing to study sf through a feminist lens, Barr says that many of her male colleagues were threatened and tried to negate the academic quality of sf for study. Sf writer Gary Westfahl is quoted by Barr, warning sf writers to “never conceal, compromise, or apologize for [your] interest in this field” (p. 2). If sf was a laughable avenue of study to her colleagues, Barr realizes that a feminist-led criticism sf might be met with greater laughter. Still, she forges ahead with the dismantling of patriarchal sf by comparing them to feminist sf stories of the same caliber.

Chapter 6 talks about the end of masculinity. At face value, the term ‘end of masculinity’ could be interpreted as a threat to men everywhere. What Barr means by the end of masculinity is to also end the other side of that particular coin, femininity. Like ying and yang, one cannot exist without the other. Without masculinity or femininity, men and women would unite under a singular definition of gender, one in which both men and women would be caregivers, providers, and valuable members of society. Barr's text is a valuable tool in the study of sf, especially given her gender critiques.

Barr, S., Marlene. Lost in Space: Probing Feminist Science Fiction and Beyond. North Carolina: The University of North Carolina Press, 1993. Print.

Wednesday, August 15, 2012

The Themes Found in "A Handmaid's Tale"

File:Atwood Handmaid.jpg
"Handmaid Under the Eye"
Created March 11, 2008
by Segeton
Source: Wikimedia Commons

According the timeline in A Handmaid's Tale, in the early 1970’s, radicals took over the United States, killing the President and all of Congress simultaneously. To erect their totalitarian regime, the country’s new founders suspended the Constitution to create their own laws. These laws are mostly anti-laws steeped in Christian sentiments, like pro-life, anti-sex (citizens are denied sex unless they are married, and even masturbating is a punishable offense), free speech censorship, and even laws prohibiting literacy (for women).
 Offred is a Handmaid of the Republic of Gilead. The remnants of the United States is formed into Gilead, and woman are no longer allowed to have a job or own property in the land of Gilead. A rise in sterile men and women has prompted the leaders of Gilead to promote the use of Handmaids. Handmaids like Offred are put into households of commanding army officers to do what their sterile wives cannot: produce a child. Often, a Commander is sterile (though it is treasonous to blame men for anything in Gilead), and a Handmaid must secretly turn elsewhere to become pregnant.
When Offred’s Commander begins a courtship with her, their forbidden affair is one she takes as  just another duty of her Handmaid status. Yet, the affair opens her up to another affair with the Commander’s chauffer, Nick, and she finds herself falling in love for the first time since the empire of the United States ended and the reign of Gilead began.
A Handmaid’s Tale reads like a series of diary entries, and the writing is just as intimate. Atwood is not afraid to make her characters real, even if sometimes that means their descriptions are crude beyond belief: “Below me, the Commander is fucking. What he is fucking is the lower part of my body. I do not say making love, because this is not what he’s doing. Copulating too would be inaccurate […]; Nor does rape cover it: nothing is going on here that I didn’t sign up for” (p. 121).
Female freedoms and male expectations are two large themes Atwood constantly revisits in her novel. Simple things women may take for granted like having a bank account, going where they please, reading a book, and having a job are all defining characteristics of female suffrage. Offred, and all women in Gilead, are denied these basic rights. Why? The founders of Gilead believe that by returning women to a more ‘traditional’ role (traditional role in the Christian or even Islamic sense), they can guarantee the happiness of most. Like other totalitarian governments, Gilead has achieved a few things that modern civilization has not: rape, murder, and theft have been eliminated (for the most part).
File:Margaret Atwood Eden Mills Writers Festival 2006.jpg
Author Margaret Atwood attends
 a reading at Eden Mills Writers'
Festival, Ontario, Canada in
September 2006.
By Vanwaffle
Source: Wikimedia Commons
Men of Gilead expect their women fill the role of the caretaker (cooking, cleaning, ect). In a way, women are natural caretakers as they give birth and instinctively feel the need to take care of their progeny. Does that mean that women should be responsible for taking care of all household duties, and nothing else? Well, in Gilead, that is exactly what being a woman means. Men of Gilead also expect their women to be natural sluts (but publicly, they denounce wanton sexual behavior). Gilead Commanders maintain a brothel outside of town, named the Jezebel. At Jezebel, women wear ‘retro’ costumes, like lingerie and cheerleading outfits. When Offred asks how a place like Jezebel is allowed, the Commander responds with “Everyone’s human […] you can’t cheat Nature. Nature demands variety, for men. It stands to reason, it’s part of the procreational strategy. It’s Nature’s plan. Women know that instinctively. Why did they buy so many different clothes, in the old days? To trick the men into thinking they were several different women” (p. 308). 

Monday, August 6, 2012

"Drexel", a science fiction novel by David Curry Holmes and Susan Stastny

Two Atlanta-based authors produced a science fiction novel of epic proportions when they co-wrote "Drexel". Released in March of this year, and already it has garnered positive reviews on Amazon.com and Barnesandnoble.com


5.0 out of 5 stars Great Find April 18, 2012
By Vtaylor
Format:Paperback
I came across this book on accident and I am so happy I did. I could hardly put this book down it was so good. Its a must read! And I think it would make a good movie too.

5.0 out of 5 stars Page-turning political adventureApril 13, 2012
Amazon Verified Purchase(What's this?)
Loved it! Not usually a sci-fi reader, I found Drexel an exciting, intriguing story that kept me captivated throughout. When will the sequel be available?

Posted June 21, 2012


This book is a fast ride. I don't need to read a ton of pages to figure out the
characters. They just pop out by themselves. I give it 5 stars!
(Summary via Amazon.com):
"Let us introduce you to Drexel. A deliciously evil genius who only desires a few simple 
things out of life. World domination through his androids, and oh ... total enslavement
of mankind. Can he be stopped? Ask the Queen of England." A senator is shoved out of 
an airplane at dawn over the Atlantic Ocean by his android duplicate. Thus begins 
Count Drexel's journey of world domination by secretly replacing every nation's political 
leaders with identical androids, ranging from senators to heads of state, up to and 
including the Queen of England! Drexel's genius and hunger for power knows no bounds, 
and his various plots and schemes are as intricate and as scary as is the fast-paced 
action of the characters revolving around him. Elliott Greenwood, the Vice-President of 
the United States, two Washington Star reporters and their editor, as well as a small 
offshoot of MI5 agents, are the only ones between a one-world government run by a 
madman and freedom for all its citizens as they try to keep Drexel's evil plans in check 
through cunning, courage, and the masterful art of survival.
Drexel is available for purchase on Amazon and other literary venues. For more 
information, check out the book's press release here:

Saturday, July 28, 2012

"The men are coming! The men are coming!" A summary of "When It Changed" by Joanna Russ



File:Avon Science Fiction Reader 1.jpg
Cover of the fantasy fiction magazine Avon Science 
Fiction Reader no. 1 (1951) 
featuring "The War of the Sexes" 
by Edmond Hamilton.
Source: Wikimedia Commons
On the planet Whileaway, there are no men. The women hardly notice because they have learned to survive, thrive, and reproduce without penetrative intercourse. That is not to say the women of Whileaway do not enjoy intercourse, but they enjoy it with other women, who they take as wives in a marriage of equality.
The narrator, Janet, of Russ's short story appears from the beginning of the story to be a man. It is not until later that the reader understands that the main viewpoint is a woman, a woman speaking of winning duels, wielding guns, and loving her wife, Kate, and their three collective daughters.
Four male astronauts land on Whileaway, and interrogate Janet and her family. “Where are all the people?” the men keep asking. Janet does not understand why they keep asking that, but then she sees that when the astronauts say 'people' they really mean 'men'. She tells the astronauts that the men died out six-hundred years ago. At this news, one of the astronauts gives a teary sigh and then says, “We're here now.”
Kate believes the men to be dangerous, and even tries to shoot one of them but Janet stops her. Later, Janet wishes she would have followed Kate's instincts and gotten rid of the newcomers. It dawns on her that the men are going to take over the planet of Whileaway, especially after one of them tells her that they need 'the cells of Whileaway'. She tells him that he can have all the cells he needs, but he smiles and tells her they cannot just be given the cells, they must be given through the act of penetrative intercourse (though he doesn't quite say it like that). He tells Janet the Whileaway kind of life is 'unnatural', and to make it natural once again, a dual-natured society must reign again. When Janet tells him that she already has a wife in Kate, the astronaut smiles and assumes that their relationship is based off of a mutually agreed need to survive monetarily. Actual love between two women is beyond the astronaut's understanding.
To the Whileaway women, the astronauts seem more like apes than like human men. Janet, Kate, and their daughters do not even find the men attractive. Janet asks her daughter if she would kiss a man, and her daughter scoffs and says she'd sooner kiss a toad.
The women of Whileaway are already dual-natured, even if the astronauts cannot see it. Janet thinks wistfully of her daughter going off for the traditional bear-hunt, like a right of passage for a Whileaway woman to become an adult. And Janet shares many traits that would be considered manly as she seems to protect her family, know how to use a gun, and duel to the death with other Whileaway women. At the same time, Janet loves her daughter and loves being a mother. Kate is not a 'weak' woman either, though she seems gentler than Janet. She does not like guns, and so it is a surprise when she grabs Janet's gun with ease and tries to shoot the invaders.
Whileaway women defy common stereotypes of women in our culture, and the way they perceive men (though exaggerated) serves as a good example of the exact chasms that separate the two genders.


Russ, Joanna. “When It Changed”. New York: Doubleday, 1972. Print.      

Thursday, June 21, 2012

Analyzing Philip K. Dick's "Do Androids Dream of Electric Sheep?"


The future of 2020 is a rather bleak one on Earth. World War Terminus has dissolved all living animals and plants, leaving only radioactive dust in its wake. To meet the demand for organic life forms, robotic animals were created, along with human androids. Androids are used in the off-world colonies, but since they are virtually undetectable from humans in most every way, they are banned from Earth. The only thing that sets an android apart from a human is empathy. Androids do not feel empathy for living things, not even other androids. However, is it possible for an unemotional robotic human to evolve into a higher life form? Is it possible that all living things, mechanical or organic, share a similar spark and thus the right to live?

These are questions that android-bounty hunter Rick Deckard asks himself while on the quest to ‘retire’ six Nexus-6 androids in a single day. When he meets Rachel Rosen, a Nexus-6 android, her ability to mimic human emotions makes Deckard question his entire profession, and really, his entire outlook on life. Though, in the end, Deckard realizes that the lack of empathy in androids runs too deep. Humans and their ability to empathize with living things are what sets them apart from the mechanical intelligence of androids.

Life on Earth is sacred, mostly because of the after affects of World War Terminus. A new religion has sprung up called Mercerism. Mercerism promotes unity among humans, citing empathy as the greatest link from one human to another. Murders are unheard of (except when androids kill humans in off-world colonies), and the death of an animal is cause for a serious depression. Even the idea of killing an insect like a spider would be abhorrent to the future citizens described by Dick.

In Phillip K. Dick’s novel, there are parallels with other SF futuristic novels, like Ray Bradbury’s Fahrenheit 451. Both men have wives that are unsatisfied with their lives. In fact, in both novels, the wives and their displeasure serve as an extension of the main male character’s own dissatisfaction, almost like a foreshadowing of the unpleasantness to come. In the beginning of Dick’s novel, Deckard is happier (well, happier than his wife) and trying his best to help his wife out of her depression, but by the end, she is the one taking care of her husband as he is a broken man after retiring six andys.

As for the theme of communal human emotions in the novel, it ran in the same strain of the communal telepathic climate found in Olaf Stapledon’s Star Maker. The Earth setting described in Dick’s novel is a mirror comparison of the Utopian worlds found by the protagonist in Star Maker; citizens of Deckard’s Earth share their emotions through an empathy box, fusing their minds and emotions together. When Deckard comes home in a good mood, his wife implores him to share his mood with the world, telling him that it would be immoral not to.

As a reader, I kept expecting the world described by Dick to be a dystopian one, and in a way it is. People are given health and IQ tests, and if they do not pass, they are labeled as ‘special’, a term that prohibits them from mating or immigrating to off-world colonies. Another flaw of the world is the eventual ruin of Earth, as the radioactive ash is slowly covering (and devouring) everything. Through all of the prejudice and physical ruin of the Earth, the people of this futuristic setting manage to live peacefully with one another. It is sad to think that it took a nuclear war to make them understand the true value of life, and of each other. 

Dick, K., Philip. Do Androids Dream of Electric Sheep? New York: Doubleday, 1968. Print. 

Saturday, June 9, 2012

Preview of "Daughter of Zeus" by Red Harvey, coming soon


The glass hospital doors dissipated to allow the paramedics entrance. Once they crossed over the threshold, red lasers brought the faux glass back into place. The glossy white walls of the hospital held blinking interfaces promoting different drugs and med kits for the average citizen, chief among them ads for the Clean and Clear.
“Breathe easy, get your Clean and Clear today!”
On the screen, a State patron held up a clear tube with a small filter at the bottom. She put the tube to her mouth and pressed a green button, activating the vacuum-like power of the machine. In an instant, the tube went from white to light gray.
The doctor on-call hated the commercial. It ran every day, at least twenty times a day. There was no other ad to play, since Clean and Clear was the chief sponsor of the hospital. She could recite the ad slogan in her sleep, and even now, she said it under her breath as it ended.
“Breathe easy, get your Clean and Clear today!”
She approached the two paramedics, gesturing to the burden they had wheeled inside.
“What’s his story?”
One paramedic answered while the other kept wheeling their patient further into the hospital.“He suffered cardiac arrest, and I defibrillated him on the way over. Got a heartbeat on him, but he’s still out.”
From her front pocket, the doctor removed a white object the size of a pen. She bent over her patient to peer into his face. With one hand, the doctor opened the man’s eyelid, and with the other, she waved the pen across his unseeing eye. A green laser scanned his pupil. The doctor stepped back, holding up the pen. Along the side of it, a red holographic panel appeared. The panel yielded John Doe’s photo and background information: his religious affiliations, occupation, address, credit report, and net worth, in that order.
Both his credit and net worth were below average, which would have been fine, had it not been in combination with an “N/A” under religious affiliation. The doctor weighed all of the factors, and sighed.
“Sir, by law, I am required to offer you the option of Amnesty in lieu of payment. Should you wish to decline this offer, then you will be taken to an alternative hospital.”
Amazingly, the offer did little to rouse the unconscious man. The doctor shrugged.
“Alright. Take him to Tranquility.”
The second paramedic spoke. “Ah, c’mon ma’am. That’s over twenty minutes away, and we’ve got more people to pick up. This guy isn’t even awake, just take him.”
“Sorry, I can’t do that. You saw his I.D. scroll.”
“Yeah, I’m sure you’re real sorry.” The first paramedic replied.
“What was that?” The doctor narrowed her eyes.
She was a Prominent who didn’t like to be questioned. The paramedic sensed that and decided not to push the issue.
“Nothin’. We’re goin’.”
Both men wheeled the gurney towards the dissipating glass doors; now ya see ‘em, now ya don’t.
“Wouldn’t wanna report you boys for Un-diligent Conduct.” The doctor called after them.
In response, the men rolled their eyes. They were suddenly glad to drive away from the State hospital.
Inside, the doctor nudged the attendant nearest her. “You hear all that noise?”
The nurse nodded. “Everyone expects a free ride these days.”
****



Tranquility Hospital did not live up to its name. Unlike the waiting room at the State hospital, it was filled with patients in dire need. And unlike the State hospital, Tranquility did not have major sponsors. Gold Buyers and Quick Loan posters covered the walls.
The staff at Tranquility mirrored the dismal surroundings: peeling paint, dingy floors, and entry doors to the e.r. that slid open on a mechanical belt. There were no pristine counters, smiling nurses, or dissipating doors. What Tranquility did have was a steady influx of sick people.
When paramedics wheeled in the man the State hospital had refused, they were not received with prompt service. They were used to as much at Tranquility, and so, they felt little shame in parking their burden by the nearest dirty wall. They left the way they’d come in, all without saying a word to anyone about their arrival, their subsequent departure, or their patient’s condition.
Because he wasn’t bleeding or screaming, John Doe wasn’t a primary concern at Tranquility. Cutbacks in staff had forced Tranquility to reassess its definition of “patients in need upon arrival”. Gunshot wounds, c-plane collateral, and head traumas were patients in need. From a Tranquility point-of-view, John wasn’t currently in need.
He lay by the wall, unattended for ten minutes, twenty minutes, thirty minutes. Finally, a woman came over and wheeled him away. No one had paid attention to John’s presence thus far, and his departure went unnoticed as well.
The woman took him down an empty hallway not meant for patients. She stopped at a door marked “Staff Only”. Where a doorknob should have been, there was a flat gray pad. The woman touched her finger to the pad, but not to sync the lock with her interface. With her jeans and hooded sweatshirt, she didn’t fit the look of the Tranquility Hospital staff. Jeans or no, the door opened at her touch and she wheeled the man inside.
The room was full of storage boxes, utility supplies, and space to spare for a private conversation. After closing the door behind her, the woman perched on a stack of boxes. She assessed the sleeping man in front of her and made a decision. The room was silent until John Doe’s unconscious fart escaped his ass. A smell akin to rotting bacon filled the room and the woman coughed. When her lungs cleared, she touched a finger to the man’s chest. Her fingers emitted a blue spark.
John Doe was suddenly awake as he’d never been before in his life.
He looked around the room, and then at the woman. He didn’t ask “Where am I?” He didn’t ask “Who are you?” What he asked was:
“What’d you do to me?”
The woman didn’t look happy. “I did what I promised. Now that you know I’m serious, I hope you’ll tell me what I want to know.”
“I don’t remember, Cleary.”
From the look of the man, remembering was the last thing on his mind. He was clutching his chest and breathing shallowly. Every few seconds, his eyes kept scanning the room for an escape. The man’s well-being could nothing to Cleary. She was as narrow-minded in her pursuit of information as a Prominent.
“You remember.”
The man lay back on his cot, defeated. “Well, I know he moved, but that’s it.”
“Where?”
“I don’t know.”
“Where?” Cleary repeated.
A blue spark fired from her fingertips and she held it above John Doe’s heart. He whimpered. With the little bit of strength that remained in him, John crawled away from the heat of Cleary’s hand.
“Okay! He moved to Atlanta. That’s all I know!”
The heat continued to hover over John’s heart. “Atlanta’s a big fucking place. Where in Atlanta?”
“I don’t know! He moved there a long time ago. Met a cute girl, I heard. Maybe he got married, had some kids. Maybe he’s gay; it’s Atlanta after all. Hell if I know. That’s everything, I swear.” A small hole had burned through his shirt from the concentration of heat. “Please stop!”
Cleary withdrew her hand. “Why was it so hard to tell me all that the first time?”
“You’ll know when you meet the bastard.” John panted.
Cleary chuckled, but not because she was amused.
Everyone she had questioned had referred to her father by the name at some point in the conversation. When she finally met Matheson, Cleary thought she might just refer to him as “bastard” indefinitely. Calling him papa was certainly out of the question.
Bitch, John thought as Cleary left the storage room. The hospital bill he would incur was bound to cost him at least a year’s pay, if not more.
****



Theoretically, Cleary could have driven from Tranquility Hospital to Atlanta. She had the information she needed, and she could have moved on. There was something holding her back, and it wasn’t anything as blah as morals. No, Cleary’s real problem was money.
Six months with no job=stony-broke. Her empty pockets could barely fund a trip to Tranquility; Atlanta would have to wait. Unless Cleary was willing to cross a few more lines. Hell, she recently put a man into cardiac arrest. If she could do that, her next idea would be easy to pull off.
Cleary could have asked her family for the money, like a normal person, but she no longer rationalized as a normal person would. Asking for money would raise questions like
What is it for?
Where are you going?
 and
Why haven’t you been eating lately?
Better to get the money her way. Her mother was already worried about her behavior.  The rest of her various aunts and cousins followed her mother’s example. Regardless, she had manipulated them for information on Matheson.
It had taken her months of tedious conversations to extract the right names, but finally, Cleary had found a lead in Matheson’s friend, John. He had been unwilling to share what he knew, and that’s when she had gotten angry, over-reacting and putting the man into an electrically-induced coma. Her anger stemmed from her long-mounted frustration, in combination with the fact that John was the only person in town with useful intel. Though, Cleary never considered what she would do once she had what she needed to know.
Using her mind, Cleary put her car on the auto-pilot function to drive her back home. When she had parked the blue station wagon into her mother’s driveway, she stayed in the vehicle to mentally compose herself. A calm state of mind was a necessity for Cleary, otherwise she received questioning stares. Questioning stares could evolve into actual questions from Prominents, which could evolve into visits from Staties, which would then evolve into her disappearance to a work camp.
Lately, Cleary’s upset state of mind could be measured in her eyes. Not in a poetic way like Your eyes are as beautiful as two shining stars, but in a physical manifestation from her latent ability. Cleary flipped down the visor to check her eyes, and of course, they were a brilliant shade of blue rather than their usual hazel. Her eyes would return to their normal color in a few hours, but Cleary didn’t feel like sitting in the car to wait it out. She put on a pair of dark sunglasses.
The car’s power indicator was in the red anyway. Cleary went to plug the battery in the outlet, giving an absent look at the sky. Today it was a dark purple. If the particles in the air hadn’t been clogged with harmful pathogens, the amethyst hue would have been an incredible sight. As it was, the beauty of the poison sky made her long for a Clean and Clear. Her mother needed one badly. Her cough was getting worse, hoarse with blood and phlegm.
A passing observation plane (or o-plane as the kids called them) overhead shook the leaves in the trees as it flew past. Two more o-planes followed, the screech of their ascent loud and insistent. When new people moved into the neighborhood, it took them months to become acclimated to the noise of the o-planes. Time passed, and people became numb to the noise, finally realizing why the housing rates were so cheap in the particular district. O-planes were a part of every citizen’s life, but they mostly stayed out of sight, out of mind. It was the combat mission planes (or c-planes) that made the most noise. C-planes had been flying out of the nearby base more often.
 Two children passed by on their bikes. They didn’t wave, and neither did Cleary. It wasn’t a waving kind of neighborhood. One of the boys smiled at her. He had no front teeth, but it wasn’t a natural loss. Where his teeth had been, two brown spots remained. The boy’s appearance didn’t faze Cleary, though it had when she had first moved back. She had grown up in the area, and it had never seemed as bad as it did when she came back to it as an adult. The place hadn’t changed much; old tires and furniture in the streets, graffiti on the sidewalks, dead grass on every lawn. As the years had passed, the dilapidated conditions simply worsened, like a dead thing decaying.
As she walked on to the side of the house, Cleary saw her mother’s neighbor watching her and she mumbled under her breath the phrase, “sacra forda”. Her mother assured her it was a Latin phrase that translated to “holy pregnant cow”, but Cleary had never verified the claim. Like most of her mother’s phrases, she merely repeated them.
“Still driving that electric clap-trap from 2020, eh?” Harmon was locking up his car, a new truck with a 70-gallon gas tank.
If he spent more money on his home and less on Prominent toys, then his roof shingles wouldn’t be hanging off and his driveway wouldn’t split. Cleary mentioned none of this when she answered Harmon.
 “Yup. It’s easy to keep a car for forty plus years when it doesn’t need gasoline.” Cleary’s car had belonged to her mother when she had been a teenager.
Harmon was undeterred by Cleary’s dig since he had a few of his own to voice. “Well, I don’t need to tell you how you’re hurtin’ the oil industry, costin’ people their jobs.”
Old Harmon ranted about his Prominent talking points to anyone who would be unfortunate enough to listen. He was more annoying when he repeated his points, over and over, as if reiteration would make them factual.
Instead of ignoring him, or agreeing with him as most of her neighbors did, Cleary told him, “And your car’s ruining the planet. Of the both of us, I think I’m gonna sleep better tonight.”
Harmon squinted at her against the glare of the orange sun. After a moment, he smiled, though he it seemed to pain him.
“You sure have a silver tongue.”
She had another response ready, but it wouldn’t have done any good. In her mind, Cleary saw herself removing her glasses, showing off her unnatural eyes, and scaring the shit out of Harmon with a good light show. She could have fried his heart easily, and she thought about it.
In the end, Cleary didn’t bother with a reply.
Before she got to the front door, she heard Harmon say to her back, “Goddamn Tramp hippies.”

****